![]() ![]() You may view the domestic weekends chart for an entire year or for the weekend number across all years by selecting from the dropdowns above the chart. The domestic weekends chart displays box office results by weekend. You may also view a full week’s worth of daily results by selecting from the dropdowns above the chart. Clicking on a specific date takes you to the single-day chart listing all available releases for that date. You may view the domestic daily chart for an entire year or for a smaller period (season, quarter, month, or holiday) by selecting from the dropdowns above the chart. The domestic daily chart displays box office results by day. You can view the following domestic charts: daily, weekend, weekly, monthly, quarterly, yearly, seasons, and holidays. To find a box office chart, start by clicking on the appropriate link in the navigation. Let’s hope Hollywood, does, too.įor more about Creed, as well as a look at Leonardo DiCaprio’s performance in The Revenant, The Danish Girl, and the Independent Spirit Award nominations, listen to Vulture and The Frame’s “The Awards Show Show” podcast below - and be sure to subscribe to stay on top of this year’s awards conversation.Box Office Mojo by IMDbPro contains several sections reporting box office receipts by time period and area. These new Mad Max and Rocky movies, though, serve as an essential road map. ![]() New Mad Max and Rocky movies, as we knew them, would mean little in 2015. With Creed, Coogler proves that he’s as talented a young director as Hollywood has right now. George Miller was given the resources he needed to revisit his own world, and he delivered. But even more important is the filmmaker, serving as a welcome corrective to the Marvel Cinematic Universe’s uniformity of vision across its properties. Max Max essentially has no exposition, and Coogler’s deft Creed script, written with Aaron Covington, covers what you need to know about Creed and Rocky’s past in the minimum amount of time necessary. With that goodwill could come larger accolades: My colleague Kyle Buchanan thinks it could break into the Best Picture race and snag an Oscar for Stallone, and I’m inclined to agree, particularly if it makes a bunch of money.īoth Creed and Mad Max should be instructive to studios: If you are planning to resurrect a franchise, that new entry should be able to stand on its own. With an A Cinemascore and a 92 percent rating on Rotten Tomatoes, Creed has the word of mouth necessary to make a non-blockbuster successful in the current Hollywood landscape. Deadline is reporting industry projections at $39–42 million over the five-day frame, which would recoup production costs, and Box Office Mojo is allowing for the possibility of a take as high as $50 million by the end of Sunday. On Wednesday, its first day in wide release, Creed took in $6 million, putting it a strong third to The Hunger Games: Mockingjay - Part 2 and Pixar’s The Good Dinosaur. Had Creed been the dutiful, dull dud that most people were expecting, it might have brought out the faithful, but that would’ve been it - a generation of young people aren’t dying for more from Sylvester Stallone, who turns 70 in July. And Coogler applies his gifts at storytelling across the board: Rocky’s struggles in the film are far more poignant and authentic than they have any right to be, considering the six Rocky movies already in the rearview. As he first demonstrated with Fruitvale Station, writer-director Ryan Coogler’s touch is impeccable: He shows a vivid comprehension of Creed’s struggle with his masculinity, and his depictions of contemporary culture - a pitch-perfect rapper backstage at a neo-R&B artist’s show Creed and his love interest’s naturalistic dialogue even Jordan’s wardrobe, which is spot-on high-end athletic wear - create an incredibly convincing portrait of a fighter on the come-up. The idea is clever enough: tap back into a calcified story by taking on a radically new perspective. Creed turns to Rocky Balboa, now an aging restaurateur with little interest in the fight game, and asks him to be his trainer, and the two men push each other through a number of trials toward, as you might imagine, an ultimate battle in the ring. ![]() Jordan, the son of the original Apollo Creed and a fighter aspiring to reach the heights of his dad. Creed Director Ryan Coogler on Reimagining RockyĬreed tells the story of Adonis Creed, played by Michael B. ![]()
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